New Arrivals
Caught Midscroll
This drop treats headlines as clouds drifting across a media landscape. Found mid-scroll, torn from their feeds, printed without comment — fragments that feel both urgent and absurd. Fabric becomes a surface for what was meant to vanish, a way of holding onto the fleeting static of media noise.
Each shirt is an unfiltered capture, a document of the moment when words escape their context. Headlines that once demanded attention are frozen here as texture, as artifact, as dissonant poetry.
This is not nostalgia. It is evidence: the language of a culture wired for velocity, turned inside out. To wear a headline is to interrupt its economy — to carry what was disposable as if it were monumental.
New Arrivals
Held Together by a Zigzag Stitch
Clothing as interruption of an endless scroll. In a culture of algorithmic smoothness—where every surface has been polished to reflect our own beliefs back at us—each design asks what it means to break free from a culture built upon informational bubbles, performative opinions and self-censorship.
This refusal is not a withdrawal, but a humanistic spark. The seizure of attention, the fracture of smoothness, the jagged affirmation of another way of being. A gesture toward a humanism, alive enough, to step outside the gravity field of established narratives.
Being a human being begins when we face the media's straight lines—its routines, its algorithmic clusters, its predetermined paths—and decide to scribble over them. Cut them apart. Stitch them back together wrong, in a zigzag.
Threads of emotional sovereignty run through the designs: the right to guard one's inner space against the static of suggested outrage, the ability to choose what enters and what stays out. Disclaimers remind us of the sudden other—unexpected, different and necessary.
New Arrivals
Partial Descriptions
This collection catalogues the minor and the fleeting — the overlooked moments that slip between categories. Each shirt becomes an entry in an archive of the incidental.
The collection resists spectacle. It asks what it means to attend to the subtle, to the fragile details that rarely register in the glare of mass media. What seems negligible is carried forward here as artifact, as resonance, as quiet disruption.
To wear these fragments is to hold still what culture tries to erase in its acceleration. A refusal of scale as measure, an affirmation that the smallest event can tilt perception and alter the frame.
